Portculliard is in the finest traditions of 19th century blackletter revival. It's a lively mock medieval face, engraved in the manner of many a 19th century printer's plate ideal for recreating traditional certificates and invitations.
Showing posts with label 19th century. Show all posts
Showing posts with label 19th century. Show all posts
Portculliard Engraved fonts from Greater Albion Typefounders - (qcodj)
19th century
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Black
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Blackletter
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decorative
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display
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Engraved
[ynbgeaerxb] Download Annadalea Fonts Family From EVCco
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This typeface pays homage to numerous Victorian and Art Nouveau predecessors, while straying somewhat beyond their usual conventions. All lowercase letters ascend in unison, whereas capitals descend below the baseline. A rigid set of uniform strokes keeps the chaos reigned in, while various calculated inconsistencies affect a vaguely hand-drawn quality to this quirky, downright decadent font.
Comes packaged with the standard complement of alpha-numeric glyphs, punctuation marks, mathematical symbols, and Western European diacritics.
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Download Côte Fonts Family From Teknike
1800's
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19th century
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architect
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architecture
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blotchy
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calligrafia
Côte is a display monospace handwriting font. The typeface is a distinct hand drawn font using a felt marker. The Côte name is derived from the French word meaning "coast" and is also used to describe winemaking vineyards and regions throughout France. One of the most popular regions in the south of France is the French Riviera also known as the Côte d'Azur. Côte is great for display work, invitations, writing, architecture, posters, wine labels and headings.
Download RMU Pittoreske Fonts Family From RMU
This great Victorian display font of the late 19th century was revived for today’s use.
You also find two frame elements. To start setting a frame, type [shift] + [alt] + p for the corner, and continue with typing [alt] + p. Duplicate and mirror the lines to get a fantastic frame.
Download Schotis Text Font Family From Huy!Fonts
Schotis Text is a workhorse typeface designed for perfect reading on running texts. Its design is based in Scotch Roman 19th-century style but designed from scratch, with a more contemporary and not nostalgic look.
It has seven weights plus matching italics, with 1100 glyphs per font, with a very extended character set for Latin based languages as well as Vietnamese, and shows all its potential with OpenType-savvy applications. Every font includes small caps, ligatures, old-style, lining, proportional and tabular figures, superscript, subscript, numerators, denominators, and fractions.
The Scotch Romans were one of the most used letters during the 19th and early 20th century, but they don’t have their own place in the main typographical classifications. They appeared at the beginning of the 19th century with Pica No. 2 in the catalog of William Miller (1813) and assumed the British route towards high contrast and vertical axis modern Romans. In fact, they were called just Modern. In opposition to the continental route of Fournier, Didot, and Bodoni, the English way opted for a wider, more legible letter also resistant to bad printing conditions.
The name Schotis comes from the misspelling of Scottish that gave the name to a popular dance in Madrid in the 19th-century. It first was called Schotis and today is knows as Chotis.
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