Showing posts with label dynamic. Show all posts
Showing posts with label dynamic. Show all posts

Carrigallen Display fonts from Tony Fahy Font Foundry - (ygtgj)

Carrigallen Display
Carrigallen Display Carrigallen DisplayCarrigallen Display



The Carrigallen family of fonts has roots in Megalithic and Celtic Ireland. It has six weights—Light, Regular and Bold and their corresponding italics. The distinctiveness of the Carrigallen family, is in it's sculpted, spiral nature, inspired by the graphics at the entrance stones and kerbstones at the Newgrange passage graves in Ireland. This is where it derives it’s decorative nature and suitability, as a very distinct Display font. 


Exceptionally suited for Logos and Headlines, it can increase the corporate presentation of a company as its main identifying feature—and with high memorability!


The three separately designed letterforms—differing in line weight—are held in place by the white space within and without the character giving a distinctive twenty first century flavour! It is this dynamic that makes the font unique!


Carrigallen Display is a modern font. It draws from its nomadic influences allowing it to be culturally representative of all languages.



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[eovtmvxdux] Download Basco Std Fonts Family From Typofonderie

Download Basco Std Fonts Family From Typofonderie
Download Basco Std Fonts Family From Typofonderie Download Basco Std Fonts Family From TypofonderieDownload Basco Std Fonts Family From Typofonderie



A mix of Renaissance & tropical atmosphere


Basco is an exploration of the Renaissance style, a period in which letterforms were informed primarily by hand writing. It is clearly a contemporary interpretation of calligraphic shapes forms.


The serifs are subtly asymmetrical. Slightly curved arches on the n, m and u are noticeable, creating an interesting tension in the text. Bruno Mello’s distinctive style is most obvious in his mastery of super fluid curves. It is a result of his extensive exploration of calligraphic forms, their tensions and dynamics, mixing angularities with curves. The roman weights include alternate swashes, as well as initial and terminal glyphs. The italics, based on chancellery script, feature simple stroke endings, most visible on the s and c.


Basco minisite



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Download FS Olivia Fonts Family From Fontsmith

Download FS Olivia Fonts Family From Fontsmith


FS Olivia is a poetic typeface. A surprising and cheery face that captures the twist and turns of pen and ink on paper. Finely balancing typographic conventions with unexpected irregularities, Olivia's design delivers texture rich text with plenty of personality.



Download FS Olivia Fonts Family From Fontsmith


Download FS Dillon Fonts Family From Fontsmith

Download FS Dillon Fonts Family From Fontsmith


FS Dillon is a rational typeface. Its inspiration came from our exploration of the work and philosophy of the Bauhaus movement of the 1920s and 30s, their pursuit of simple, practical forms. To this we’ve added a thoroughly modern flavour, stark yet warm, imbued with the quirky individuality that has become a Fontsmith signature. The letterforms are simple and direct. Compact, with a large x height, they are built for maximum clarity, economy of space, and impact. But that’s not all. The Bauhaus sought beauty through function – we think we’ve achieved that too.



Download FS Dillon Fonts Family From Fontsmith


Download Lambola Font Family From ARToni

Download Lambola Font Family From ARToni
Download Lambola Font Family From ARToni Download Lambola Font Family From ARToniDownload Lambola Font Family From ARToni



Lambola is a casual and smooth handwritten font with a playful vibe. Us it to add a personal touch to any design idea!


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Download Misket Font Family From Altay

Download Misket Font Family From Altay
Download Misket Font Family From Altay Download Misket Font Family From AltayDownload Misket Font Family From Altay



Misket is a display typeface designed by Altay Dagistan. The glyphs were drawn one by one by hand, using traditional calligraphy methods. The font features a modulation called “reversed contrast”. Instead of the stems being thicker than the horizontals like in most typefaces, the contrast is reversed so, the stems are much thinner than the horizontals.


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