Showing posts with label accents. Show all posts
Showing posts with label accents. Show all posts

bvtoewzpuo Download Wonderbar 2 Fonts Family From Sharkshock

Download Wonderbar 2 Fonts Family From Sharkshock

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Wonderbar 2 is wacky, retro, and not to be taken too seriously. The wavy nature throughout the characters ensure that you're in for a wild ride. Alternating between upper and lowercase letters is like shifting gears. Uppercase characters take on a more undulating flow with stems that reach out to tickle you. Because of this slight overlap should be expected. In addition to Latin this childlike display font is equipped with Extended Latin for many European languages as well as Cyrillic. Try it in a children’s book, poster, or birthday invitations.


Download Wonderbar 2 Fonts Family From Sharkshock
Download Wonderbar 2 Fonts Family From Sharkshock



Download Wonderbar 2 Fonts Family From Sharkshock


Download Batrider Fonts Family From Runsell Type

Download Batrider Fonts Family From Runsell Type

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Batrider is a Script Display font inspired by vintage lettering in old labels. It comes in two style: regular and textured. Batrider textured contains rounded corner and authentic textured for an organic printing look. Carefully made with perfectly horizontal vertical bezier handles. Every single letter contains beautiful alternates characters (stylistic set 1 - stylistic set 16) and features ligatures. Batrider is great for designs such as the logotypes, packaging, branding, quotes, business cards and more custom design. The features are uppercase, lowercase, numeral, punctuation and symbols, ligatures, alternates, multi-lingual support, PUA encoded. How to get access alternate glyphs with designing software to open type fonts, click here.

Download Batrider Fonts Family From Runsell Type
Download Batrider Fonts Family From Runsell Type



Download Batrider Fonts Family From Runsell Type


Download Senkron Font Family From Murat Çil

Download Senkron Font Family From Murat Çil
Download Senkron Font Family From Murat Çil Download Senkron Font Family From Murat ÇilDownload Senkron Font Family From Murat Çil



Senkron is designed as a pure and modern neo grotesk font. The anatomy of the letters are designed to achieve an equal text color. For this purpose, the legs of the letters “R” and "K" are designed with a vertical angle to prevent the white space that would occur in the middle of these letters, etc. In miniscule letters, the characteristic features of letters such as ‘a’, ‘l’, ‘t’ are concretized and legibility was supported in the text. Considerable attention has been paid to the harmony between the anatomical structures of the letters and the diacritical mark’s structure. Senkron Blok is arranged for situations which are diacritical marks overflow to leadings of the headline and headline typographical color is affected negatively from this situation. For this purpose, majiscule diacritical letters are resolved within the letter height. However, when this is done, new forms are obtained by integrated diacritical marks with letters instead of directly merging them. The idea behind this approach is to preserve the typographic value of diacritical marks and emphasize the semantic value of diacritical letters. 82 letters have been redesigned in this way.


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Download Mozsar Font Family From Miklós Ferencz

Download Mozsar Font Family From Miklós Ferencz
Download Mozsar Font Family From Miklós Ferencz Download Mozsar Font Family From Miklós FerenczDownload Mozsar Font Family From Miklós Ferencz



Mozsár, named after Mozsár Street in the downtown of Budapest (pronounced ‘mo-zhar’, meaning mortar in Hungarian.) Mozsár is a unicase display typeface with constructivist characteristics from the early 20th Century. It uses pure geometric shapes and purposefully departs from strict typographical rules to give a more friendly look. With Mozsár you can create really unique and awesome looking displays, titles and even name plates for your business. It works very well in big size. The central idea behind the design was that two variants of the typeface would randomly alternate as the user types. The typeface uses Contextual Alternates (CALT) created with the OpenType’s semi-random feature to mix the variants. The width and height of the letter shapes are generally equal, but I made some exceptions to lend the type a character of unexpectedness. The curves are identical in both versions of each letter, and the intersections of the axes are always perpendicular (with some evident exceptions).


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