With its slightly rounded terminals Cerco is a soft and friendly font family with a bit of a warm and playful appearance. The intermediate styles suite perfectly for body texts while the strong weight especially look beautiful at display size.
Cerco is suitable for a wide range of applications in digital and printed environments: advertising and editorial design, signage and way-finding systems as well as brand design can profit from its appealing and modern design.
Billie is a humanist sans with a calligraphic influence designed for editorial purposes. It includes 6 weights in upright and true italics. The font family is loaded with different styles of numerals that can be activated through opentype features to enhances performance in text settings.
This type family is spirited and has a friendly appeal. The type face is also available as two variable fonts.
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Leaves and Twigs is a quirky handwritten font trio and floral illustrations collection with fun variations, that is perfect for logotype design, branding and packaging, and social media posts.
Just in time for the holidays, Leaves and Twigs is also perfect for homemade seasonal designs (such as postcards, prints, and present tags).
Included in this collection:
All written with the same pen, at the same size, so that the line width is consistent throughout the collection, for easy pairing (floral illustrations are sized down by 4x).
A mix of Renaissance & tropical atmosphere
Basco is an exploration of the Renaissance style, a period in which letterforms were informed primarily by hand writing. It is clearly a contemporary interpretation of calligraphic shapes forms.
The serifs are subtly asymmetrical. Slightly curved arches on the n, m and u are noticeable, creating an interesting tension in the text. Bruno Mello’s distinctive style is most obvious in his mastery of super fluid curves. It is a result of his extensive exploration of calligraphic forms, their tensions and dynamics, mixing angularities with curves. The roman weights include alternate swashes, as well as initial and terminal glyphs. The italics, based on chancellery script, feature simple stroke endings, most visible on the s and c.
Blastered was originally inspired by an old horror movie poster - but I find it more laid back and less horrifying…but feel free to use Blastered for your next horror project and use the more than 300 interlocking ligatures! Wow!
Blinked is a stylish handwritten script font. It is suitable for your crafting projects, but also for logos, quotes and so much more.
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Pinktart is a lovely handwritten font with a natural and unique design will make your project more beautiful. The font is suitable for your branding project, printing, logos dan wedding.
Included:
Features:
by Yumnatype
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| Download Pinktart Fonts Family From Yumna Type |
Loathing is a bold Display Font with its distinctive character that can be easily implemented in your various design projects . Loathing came with opentype features such stylistic alternates, stylistic sets & ligatures good for logotype, poster, badge, book cover, tshirt design, packaging and any more.
Features : • Character Set A-Z • Numerals & Punctuations (OpenType Standard) • Accents (Multilingual characters) • Ligature • Alternate
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Courtside is a casual all caps handwritten font. It's easy to read and it has a playful feel to it at the same time. Get inspired by its simplistic charm and use it to brighten up any creative projects
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| Download Courtside Fonts Family From Epiclinez |
Hand Sworth a work that is purely a result of handwriting, has a natural characteristic. this is perfect for invitations, signatures, blogs, social media, business cards, product brands.
Hand Sworth has Stylistic standard, Stylistic Alternates and ligatures. and includes uppercase and lowercase letters, numbers and punctuation marks.
FILE INCLUDE
Open Type features can be accessed by using OpenType smart programs such as Adobe Photo Shop, Adobe Illustrator, Adobe Indesign, Corel Draw and Microsoft Office.
special greetings for all, all of us all smoothly in running the routine
Alyin font is my vision of street style.
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Introducing Kavo Sans Serif typeface - 4 weights
Kavo is clean, modern typeface with 4 weight, ligatures and multilingual support. It's a very versatile font that works great in large and small sizes.
Kavo is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image.
Feel free to contact me if you have any questions!
Mock ups and backgrounds used are not included.
Thank you! Enjoy!
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| Download Kavo Sans Fonts Family From VP Creative Shop |
Dihjauti /di:.'hjau.ti: | dee.'hyow.tee/, predominantly based off Dwiggin's Electra with shades of Palatino and Perpetua, is modern and stately. Like its inspirers, it has broad counters and spacing, which temper it and give it warmth, making it comfortable and well-suited for longer texts. It is balanced in all aspects, from its punctuation to its reference marks and symbols. Its design takes into consideration all extra characters for languages that few fonts support, such as African and First Nation. These extra characters, such as Edh, Esh, Gamma, Ezh, Yogh, the pharyngeal fricatives, the click consonants, which have added capital versions, the glottal stops, et cetera, actually look like they belong, as opposed to being afterthoughts. The italic incorporates a touch of Arrighi. It includes all transcription systems relevant to the Latin, Cyrillic, and Greek alphabets, as well as standard Coptic, plus extra characters for Teuthonista and First Nation. It also includes, to list a few, Egyptian-styled pictographs (where applicable), APL, a plethora of mathematical symbols and arrows, and a number of alternatives in the PUA. A Fontlog is included for referencing all additional characters.
Notes: 1) The superscript characters, modifier letters, and the numerators, are all part of the superscript table. 2) The bold versions of the font have some alternative/reversed characters; I did this because there is no difference in the math or punctuation symbols, i.e., the bold versions are not actually bold (with exceptions), which gives the font a better harmony. 3) The font uses anchors, which means that it will not align properly for linguistic use, or otherwise, without open type. 4) For those interested, Open or Libre Office can access all glyphs using: Insert > Special Character.
